Naan Ee Tamil Movie Download Utorrent
Archived from on 7 April 2016. Retrieved 7 April 2016. • Sashidhar, A. (19 June 2012).
Began on 22 February 2011 and continued until late February 2012. And oversaw Eega 's visual effects and process, respectively. The two versions of the film, alongside a -dubbed version titled Eecha, were released on 6 July 2012 in approximately 1,100 screens globally.
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He decided to make Eega a bilingual film in and – each scene including speech was filmed twice, once for each language. The Tamil version, titled Naan Ee, was Rajamouli's directorial debut in. The film was presented by of.
Indo-Asian News Service stated that Eega was the highest-grossing Telugu film of 2012, but Bangalore Mirror said it was the second-highest (after ) in box-office revenue. According to, Eega and were the only 2012 big-budget Telugu films to break even and have a positive audience response.
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Archived from on 3 April 2016. Retrieved 3 April 2016. • ^ (29 July 2012).
Retrieved 4 April 2016. • Sashidhar, A. (10 July 2012). The Times of India.
Was and the film. Janardhan Maharshi and wrote the dialogue for the Telugu and Tamil versions, respectively. The narrative of Eega is in the form of a told by a father to his daughter. Its protagonist is Nani, who is in love with his neighbour Bindu. Nani is murdered by a wealthy businessman named Sudeep, who is attracted to Bindu and considers Nani a rival. Nani as a and tries to protect Bindu while avenging his death. The idea for the film originated in the 1990s from a conversation in which Prasad joked with Rajamouli about the idea of a fly seeking revenge against a human.
Rajamouli compared the battle between the fly and Sudeep with that between and ( pictured), saying that victories by underdogs matter. The film's main theme is revenge; the soul of a murdered man is reincarnated as a fly and seeks revenge against his killer. Rajamouli identified some similarities to 's (1986), in which a scientist becomes a fly when his experiment malfunctions, and thought of Eega as a ' rather than a. At a meeting with students at the Annapurna International School of Film and Media Campus (AIFSM), he compared the battle between the fly and Sudeep, which the underdog fly wins, to 's triumph over and India's victory in the. Crazy Mohan compared the film with (1989), a revenge drama whose protagonist Appu () is a. Mohan told Malathi Rangarajan of that although the film's script may resemble those of (1999) and (2001), the use of the plight of someone tormented by a housefly was an original idea. According to Tamil film historian and actor, Naan Ee—unlike the animal-centred films (1972) and (1979)—lacks a human protagonist.
Rajamouli estimated the film's budget to be around ₹300–350 million in an interview with, and Rajeev Kamineni of estimated the film's budget as ₹400 million in an interview with. • ^ estimates the final gross figure as ₹1.25 billion, while estimates the final gross figure to be nearly ₹1.3 billion. • Sudeep tries to transact some money from his password protected safe. The fly, however, gets in the way and disturbs him while he types the password.
• ^ Rajamani, Radhika (5 July 2012). Archived from on 6 April 2016. Retrieved 6 April 2016. Krishna (10 March 2012).
• Shah, Jigar (28 September 2012).. Archived from on 5 April 2016. Retrieved 5 April 2016. • Mannath, Malini (8 July 2012).
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Kamalakannan and Pete Draper of oversaw Eega 's visual effects, and Rahul Venugopal was the film's set supervisor and., who later collaborated with Rajamouli on, worked on a short sequence for the film. Rajamouli planned to complete work on the fly imagery in four months, but it took fourteen.
Archived from on 21 March 2015. Retrieved 2 April 2016. 17 February 2011. Archived from on 7 April 2016. Retrieved 7 April 2016. • ^ Menon, Amarnath K.
Suganth of The Times of India both gave Eega four stars out of five; Pasupulate said it offers a 'mind-bending thrill-a-second ride of the season, probably the decade'. Suganth called it a 'bravura piece of commercial filmmaking that is an unqualified triumph in every aspect'. Of gave the film four stars out of five and praised its concept, and said Sudeep played his role with a 'true comic book flair' and a 'cartoonish tinge'. Writing for, praised Eega's 'sharp clenched narrative', which overshadowed the 'shaky plot'. He further wrote, 'Gutsy sly and original, this is the entertainer of the season'. Gave the film four stars out of five in a review for and called it a 'mad roller coaster ride that's worth taking' and the 'most outlandish film [she has] seen in years'.
• Khan, Nasreen (10 July 2013). The Times of India. Archived from on 6 April 2016. Retrieved 6 April 2016. • ^ Rajamani, Radhika (4 July 2012).
Archived from on 6 April 2016. Retrieved 6 April 2016. • (director) (2012). (motion picture).
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2 April 2012. Archived from on 5 April 2016. Retrieved 5 April 2016. • Raje, Abhishek (3 April 2012). The Times of India. Archived from on 5 April 2016. Retrieved 5 April 2016.
Shabana Ansari rated Eega three stars out of five in a review and called the animated fly a 'new-age Indian hero' with 'lofty ideas'. Kruthi Grover of The New Indian Express wrote that Eega lacks a proper structure despite having effective visual effects and editing.
(2 September 2014). Deccan Chronicle. Archived from on 7 April 2016.
Archived from on 5 April 2016. Retrieved 5 April 2016. Bangalore Mirror. 11 March 2013. Archived from on 5 April 2016. Retrieved 5 April 2016. • Shenoy, Megha (28 December 2012).
Retrieved 5 April 2016. • Pasupulate, Karthik (8 August 2012). The Times of India.
• Kavirayani, Suresh (9 July 2014). Deccan Chronicle. Archived from on 6 April 2016. Retrieved 6 April 2016.
When Bhasmasur tries to touch Shiva's head, assumes the form of and makes Bhasmasur touch his own head, killing him. According to Malathi Rangarajan, the film's themes of Tantrism and black magic are reminiscent of the use of the occult as a plot device in films directed. Main article: The soundtracks of Eega and Naan Ee, each consisting of five songs—one of which is a remixed version of the film's title song—were composed by M. Keeravani said because the film's theme of revenge and the protagonist (a housefly) are universal concepts, his 'only challenge' was ensuring the music did not have a 'distinct ethnic or regional flavour' and 'appeal'.
Archived from on 2 April 2016. Retrieved 2 April 2016. • Pillai, Sreedhar (4 July 2015). Archived from on 2 April 2016. Retrieved 2 April 2016. • ^ Hurtado, J. (20 November 2012)..
Naan Ee Tamil Movie
• Hurtado, J. (6 July 2012).
Retrieved 5 April 2016. • Sashidhar, A. (28 July 2012). The Times of India. Archived from on 8 April 2016.
• ^ Kumar, S. Ashok (7 April 2012). Archived from on 5 April 2016.
Retrieved 2 April 2016. • Kotwani, Hiren (11 October 2012). The Times of India. Archived from on 2 April 2016. Retrieved 2 April 2016.
Archived from on 6 April 2016. Retrieved 6 April 2016. • Chowdhary, Y. Sunita (25 August 2013). Archived from on 6 April 2016. Retrieved 6 April 2016.
Retrieved 5 April 2016. Archived from on 6 April 2016. Retrieved 5 April 2016. 21 July 2013. Archived from on 6 April 2016. Retrieved 5 April 2016. The Times of India.
Archived from on 2 April 2016. Retrieved 2 April 2016. • Rajani Kanth, K.; Bhat, Varada (10 July 2012).. Archived from on 2 April 2016. Retrieved 2 April 2016. • Sashidhar, A. (20 July 2012).
Retrieved 7 April 2016. • ^ Kavirayani, Suresh (25 July 2012). The Times of India. Archived from on 7 April 2016. Retrieved 7 April 2016. 12 October 2012.
Archived from on 2 April 2016. Retrieved 2 April 2016. • ^ Pasupulate, Karthik (22 July 2012). The Times of India. Archived from on 2 April 2016.
The Times of India. Archived from on 2 April 2016. Retrieved 2 April 2016. 12 September 2012.
Unless it is presented well, the audience won’t come.—S.S. Rajamouli • (director) (2012). (motion picture). From 1:33:45 to 1:36:00. From the original on 15 November 2015. • ^ Suresh, Sunayana (29 July 2012). The Times of India.
Archived from on 5 April 2016. Retrieved 5 April 2016. • Suganth, M. (21 June 2012). The Times of India. Archived from on 5 April 2016. Retrieved 5 April 2016.
After enlarging the details, Rajamouli made cosmetic changes to the fly's face to make it look appealing onscreen. A new team including Draper, three concept artists, three modellers, two shader designers, two hair and fur designers, three riggers and several animators, designed the animated fly in two months. Its head and fur were designed after shaping its body and wings. The fly was refined daily using clay models to expedite the process.
Archived from on 2 April 2016. Retrieved 2 April 2016. The Times of India. Archived from on 2 April 2016. Retrieved 2 April 2016. The Times of India. 28 December 2012.
In a chain of events, his money is burnt to ashes, leaving him almost penniless. Sudeep learns from a sorcerer that Nani is reincarnated as a fly and seeks revenge.
Film critic found Eega 's protagonist realistic, contrary to the ones in the animated films by, except when it displays a few traits. Compared Eega to Cockroach (2010), an Australian short film about a man who is reincarnated as a cockroach after he is accidentally killed on his wedding day. The film's secondary theme is the survival of love beyond death. Rangan has likened Eega to a ghost film because a dead protagonist returns to his loved ones as a troubled soul. Malini Mannath of found the scene where the fly foils Sudeep's attempt to get close to Bindu reminiscent of one in the film (1990). Criticised the relationship between the lead pair, which he said advocates stalking as an accepted form of romance.
Retrieved 6 April 2016. • Rajamani, Radhika (28 February 2012). Archived from on 6 April 2016. Retrieved 6 April 2016.
Archived from on 2 April 2016. Retrieved 2 April 2016. The Times of India. Smadav pro 2018 free download.
And his wife, acting as parents telling the film's story to their child at bedtime, provided voiceovers during the opening credits of Makkhi. The visuals accompanying the closing credits were altered to show the fly mimicking the antics of Devgan,, and.
The Times of India. Archived from on 6 April 2016. Retrieved 6 April 2016. Hindustan Times. Indo-Asian News Service. 24 September 2012.
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Archived from on 3 April 2016. Retrieved 3 April 2016. • Dang, Gitanjali (7 April 2012). Crest Edition.
7 April 2013. Archived from on 6 April 2016. Retrieved 5 April 2016. Archived from on 6 April 2016.
Rajamouli approached to write the dialogue for the Hindi-dubbed version titled Makkhi. The Hindi dubbing began in Hyderabad, and Gurwara dubbed for Nani in the film.
Hurtado called the audio a 'thing of beauty, giving good separation and a booming low end that puts you in the middle of the Eega action in a way that even my theatrical experience couldn't do'. Reception [ ] Box office [ ] According to trade analyst, Eega netted ₹170 million in South India on its first day of release. On its opening weekend, it grossed US$538,996 from 31 screens in the United States—a per-screen average of $17,387.
He befriends her, donates ₹1.5 million (23.03 thousand), and gains her trust. Sudeep sees Nani as a rival and plans to kill him.
Makkhi opened poorly, despite positive word-of-mouth, eventually ending up as an average grosser. Regarding the performance of Makkhi, Rajamouli felt the film was poorly presented and did not reach its theatrical audience even though it was better received on television, and so later on collaborated with filmmaker – whom he considered the 'one missing link' – on the presentation of the Hindi-dubbed version of his later film, Baahubali: The Beginning. Critical response [ ] Baradwaj Rangan, writing for The Hindu, said without a human protagonist, only a villain and a heroine, the audience is 'led through a story that's funny, sentimental, action-packed, romantic—there's even a bit of the occult thrown in'. Also for The Hindu, Malathi Rangarajan wrote, 'Let's celebrate the figment of [Rajamouli's] imagination that has made the housefly appear as invincible as any of our muscle-flexing heroes'. Karishma Upadhyay of called the film 'a winner from the first frame to the last' and praised Rajamouli's screenplay, writing that it made 'the absurd seem real, willing you to accept anything that he throws at you'.
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Archived from on 5 April 2016. Retrieved 5 April 2016.
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(12 October 2012). Archived from on 5 April 2016. Retrieved 7 April 2016. 3 October 2012. Archived from on 2 April 2016.
(10 July 2012). Hindustan Times. Indo-Asian News Service. Archived from on 6 April 2016. Retrieved 6 April 2016. Archived from on 6 April 2016. Retrieved 6 April 2016.
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An camera, a, and Scorpio and Strada cranes were used for the principal photography, while a probe lens and high-intensity lighting were used for the. Senthil Kumar had to use a special lens with a minimum f-stop of f8.0; the wide apertures required high-intensity lighting to get acceptable shots. He used cameras as they were the smallest possible ones that offered close to professional resolution. Was used to film extreme slow motion sequences; certain scenes were shot at 2,000 frames per second. (DI) was conducted at Annapurna Studios in Hyderabad. A high-end DI system was imported and the process took six months to complete. Singer, who dubbed for Samantha in Eega, found the process difficult because the footage did not contain the animated fly.
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Archived from on 6 April 2016. Retrieved 5 April 2016. The Times of India.
• ^ Pasupulate, Karthik (27 December 2013). The Times of India. Archived from on 6 April 2016.
Sudeep arranges to kill Nani but the fly escapes and causes a, killing the sorcerer and leaving Sudeep unconscious. Nani and Bindu assume Sudeep is dead but he is saved by his business partner. Sudeep is enraged when he learns that Bindu is helping the fly.
Ninety percent of the animation-related work was done in Hyderabad; the remaining ten percent was completed in the United States. In an interview, Draper said he collaborated with thirteen experts and a large team of animators to design the fly. Because the film's fly's eyes comprise 80 percent of its face, Rajamouli felt they could make it expressive; he used the 1986 American short film for inspiration. The output of the first team of animators, using the reference material prepared, was unsatisfactory and Rajamouli reworked the fly's detailing. Using a powerful lens, the film team conducted an arduous photographic shoot of unconscious flies in a bottle stored in a refrigerator.