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I searched online and can't really find anything where someone has a manufacture date for anything with close to my serial number. Also tried a search here. Thanks for the help. Slide the chassis out of the cab.

Where is the Serial Number on my Mesa amp? Serial Number 0. 05 on an Original Mark I Snakeskin combo that guards Randall Smith's office at Mesa H. (click to enlarge or for gallery)If you’ve ever had a hard time finding the serial number on your Boogie, this info will help. I looked at the outside of the chasis and no serial number. I just took the chasis out and no serial #. But I do see near one of the transformers. When was my amp made? It wasn't until the mid-nineties, when we started putting serial numbers into an electronic database, that we had more than the collective memory of the MESA crew or an amp itself to turn to in determining when an amplifier may have been built. The Boogie Board Discussion Forum for Mesa Boogie Products: FAQ. Serial Number Lookup Year. Is there a way to lookup the year of the amp ( LSC ) by serial.

Richards ended up using the amp for the show (as one of six), and the Stones, over the years, received and paid for over forty of Smith's amps. The first Boogies are referred to as Mark I's, though they were not given this name until the Mark II was released. They were 60 or 100 watt combo amps with a 12-inch speaker, primarily Altec-Lansing 417-8H Series II. The Mark I had two channels: The 'Input 2' channel, voiced like the, and the high gain 'Input 1' channel, which produced the overdriven 'Boogie lead' sound used most notably by Carlos Santana on side 2 of, and by ' and, who used the amps live and in the studio from 1977 until 1993. Examples of this amp in its original form and in good condition are sought after by collectors and guitar aficionados.

*hoping for no tumbleweeds or crickets* -T. I would hope that the serial #'s are sequential. Isn't that why they call it a 'serial' #? And which product started at 100? They couldn't of all started from 100.right? That means that some have a prefix to designate model or date.

Where is the Serial Number on my Mesa ® Amp? If you’ve ever had a hard time finding the serial number on your Boogie, this info will help. Serial number locations have changed on the many different models over the decades but in the last 20 years, the location and format have remained fairly consistent. Serial number 005 on an Original Mark I combo that guards Randall Smith's office Post-1985 Guitar Amp heads and combos As of the late ‘80s, Mesa began the use of a.75 inch x 1.5 inch decal that is often placed near the AC cord or IEC cable receptacle as shown in the picture above of this Dual Rectifier chassis. Some bass amps with serial number decals on the bottom of the amp AND built into head cabs will have to be disassembled from their head cabs to access the serial number. Assembly instructions for bass amp head cabs can be obtained from Mesa/Boogie Customer Service. The serial number is also printed on the quality control card (if available) which may allow you to avoid dis-assembly.

2000 SB-00001 - SB-2515 V-Twin Rackmount May 1995 - Jun. 1998 V2R-001 - V2R-2258 M-2000 Jun. 2003 B2K-00011 - B2K-01349 20/20 Jun. 2011 TT-00011 - TT-04512 Baron Jun. 1995 - July 1998 BRN-00011 - BRN-00488 Subway Rocket Jan. 1998 SR-00011 - SR-2825 Heartbreaker Jun. 2001 HRT-00011 - HRT-01588 TriAxis - Version 2 w/Phat Mod Mar.

Smith added an extra tube gain stage to the preamp, with three variable gain controls at different points in the circuit (this is now called a 'cascaded' design), creating the first high-gain amplifier. He set about designing a guitar amplifier around the new principle, and in 1972 the was released. One of the more notable amps in the series was built in 1977, with serial number A804: this is the amp built for, the first one in a long collaboration between Smith and the Rolling Stones, a collaboration which started somewhat inauspiciously when the Stones manager asked Smith for some free amps ('We're the Rolling Stones; we don't pay for amps'), and Smith refused. (Richards had played Santana's Boogie and decided he wanted one too.) Finally, Smith talked to Richards and they agreed that he would send them an amp, and that the Stones would pay for it or return it.

Additional solo controls were added for independent volume switching. It is also available as a combo and a head. The combo is a similar size to the Mark I combo. It also features cab clone.

The first Boogies are referred to as Mark I's, though they were not given this name until the Mark II was released. They were 60 or 100 watt combo amps with a 12-inch speaker, primarily Altec-Lansing 417-8H Series II. The Mark I had two channels: The 'Input 2' channel, voiced like the, and the high gain 'Input 1' channel, which produced the overdriven 'Boogie lead' sound used most notably by Carlos Santana on side 2 of, and by ' and, who used the amps live and in the studio from 1977 until 1993. Examples of this amp in its original form and in good condition are sought after by collectors and guitar aficionados.

This method should remove all doubt as to whether the preamp circuit board is a IIC or a IIC+. The Mark IIC+ is currently the most coveted vintage Boogie, selling for twice its original price on average, because of its much praised 'Liquid Lead' mode, and also its warm, clean rhythm mode.

The three channels are based upon the original channels of the Mark IIC+, but with two identical gain channels based on the IIC+'s lead channel. It also features two separate graphic EQs, which can be selected for each channel via mini toggles on each channel's front panel. It is also the first Mesa amp to feature connections, which can control the channel switching, as well as controlling the FX loop and graphic EQs. Much like the Mark 5:25, the JP-2C features a built-in CabClone. The amp also features a switch to drop the amp's wattage down to 60 watts for use in smaller venues or recording. References [ ].

It will more than likely have a date written in magic marker pen somewhere from the testing stages. Mines a '92 with a 1500 serial range. It's got MB's initials and dates all over it.

The 1/4' jack previously marked '1' was changed to just 'Input,' and '2' was changed to 'Foot Switch.' The Mark IIA was a great improvement over the Mark I, however it had a few major flaws that it received criticism for among collectors. The new footswitching system relied on a relay, which made an audible popping noise when switching modes. The reverb circuit was also noise-ridden on some models. The IIA and IIB, and some late-model Mark I amps, used a JFET-based device called in place of the input stage 12AX7 (V1), and included a switch for configuring the amp for either Fetron or 12AX7 operation. The reason for using a fetron was to address some of the problems associated with microphonic 12AX7 tubes in a high-gain situation; its use was later discontinued as newer production tubes were able to withstand the extreme conditions within the amplifier.

Well, the IIC/IIC+ amps are getting to be rare finds today. Good luck in your search!

1993 FP-11500 - FP-29080 Studio Preamp Aug. SP-001 - SP-? 50/50 May 1989 - Nov. 2001 FF001 - FF6739 Bass 400+ (6 band Graphic EQ) Aug. B1200 – B1676 Mark I Reissue Nov.

In the case of the Titan below, the serial number is on the rear panel and is easily seen even when in the head cab. Mark IIB amplifier with tech initials and assembly date on the underside of the amplifier between preamp and power tubes Some people like to know the 'birthday' of their amps and many will be pleased to find Mesa techs initialing and dating the amps in plain view very near the serial number decal on the amps since 2008-2009. For amps built before then, birth date information may be available on the outside of the chassis near preamp tubes (as shown above) or, inside the chassis which requires dis-assembly to see the inside) but these dates are not always available on every model. If you still can't find the serial number, consider the possibility that a previous owner (or thief) may have removed the serial number decal or obscured a stamped number. Feel free to call MESA Customer Service at 707 778 6565 Monday-Thursday, 9AM-5PM Pacific time for further assistance if this hasn’t taken you right to the serial number information you've been searching for all this time!

No foot-switching available, however an A/B splitter pedal could be used to select input 1 or input 2 separately. There was also a reverb option which replaced the Middle knob with the reverb control knob. These amps had a point-to-point wired power section and had large transformers with great headroom, even in 50 watt trim.

Each revision had a slightly different voicing, but identical functionality. Non-Simulclass versions of the Mark III came in either 60w RMS with two 6L6s or 60w/100w with four 6L6s in the power section. Mark IIIs contain either four or five 12AX7 tubes in the pre-amp section, depending on if they have the reverb option. Simul-class Mark IIIs usually contain two 6L6s in the inner sockets and two EL34s in the outer sockets for 15w/75w use. Black Stripe (1985) [ ] These are distinguished by either the absence of a marking, a black dot, or a black marker stripe above the power cord entry. Early Black Stripes retained the same power transformer as the IIC+, which is easily distinguished by its larger physical size than the later-introduced Mark III transformer.

The cabinet is the wood enclosure in which the chassis gets mounted. The cabinet is most often covered in vinyl with the exception of cabinets that are custom and covered in leather or custom hardwood cabs, or, rack mounted amplifiers. Walkabout rackmount unit with serial number decal on the underside of the amp towards the rear Some bass amps with serial number decals on the bottom of the amp AND built into head cabs will have to be disassembled from their head cabs to access the serial number. Assembly instructions for bass amp head cabs can be obtained from Mesa/Boogie Customer Service. The serial number is also printed on the quality control card (if available) which may allow you to avoid disassembly. In the case of the Titan below, the serial number is on the rear panel and is easily seen even when in the head cab. Mark IIB amplifier with tech initials and assembly date on the underside of the amplifier between preamp and power tubes Some people like to know the 'birthday' of their amps and many will be pleased to find Mesa techs initialing and dating the amps in plain view very near the serial number decal on the amps since 2008-2009.

I assume the board could have been replaced but the serial number is older than any other rev g ive seen and it doesn't make sense. Oh well its killer either way. My advice buy it. Those transformers have been known to blow and melt down boards. I'm betting if you call Boogie and ask, you're going to find out #1544 made a trip back to Boogie and had to have the board replaced with a Revision G board. Hahaha I love it diezel monster thank you I am having a slight case of deja vu and I did buy the amp thanks New world man do you have any other news about the rectifier I just bought are those transformers gonna melt down or anything?

Add the number from Step 2 to 1980 for a “Mark IIB” amp to get the production year estimate. Add the number from Step 2 to 1984 for a “Mark IIC” amp to get the production year estimate. Add the number from Step 2 to 1985 for a “Mark III” amp to get the production year estimate. Add the number from Step 2 to 2000 for a “Mark IV” amp to get the production year estimate. Add the number from Step 2 to 2009 for a “Mark V” amp to get the production year estimate.

Here's some Mesa Mark info for ya. Devan wrote: Thank you rhythmplaya! According to those lists, my serial number makes it a IIC?? Bob13 - You have to post pics of YOURS now! Stefan - for sure dude! Here are some shots of the back of the amp.

1999 DC2-01 - DC2-4247 Maverick Apr. 2006 MAV-01 - MAV-02823 Blue Angel Jun. 2003 BA-01 - BA-2070 DC-3 Sep. 1999 DC3-001 - DC3-4523 Subway Sep.

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Let's try and figure this out together! If you know for sure the approximate date when your (or any) piece of Mesa Boogie gear was manufactured (born, created, etc), then post it up along with model name, model # (if known), and serial #! Then after we figure this out, we will now have a sort of database to which to base our serial #'s on! And possibly even find an explanation to the numbering.

There was also a reverb option which replaced the Middle knob with the reverb control knob. These amps had a point-to-point wired power section and had large transformers with great headroom, even in 50 watt trim. SOB chassis were shared with other heads, but had different front and rear plates. EQ, slider cutouts and other 1/4' jack cutouts can be seen from inside the chassis. Mark II [ ] Mark IIA [ ] The Mark II introduced channel footswitching. It was not referred to as the 'Mark IIA' until the Mark IIB was issued.

2001 - May 2017 WK-00011 - WK-006237 Solo 50 Series II Apr. 2011 S50-01675 - S50-06768 Rectoverb Series II May 2001 - Jan. 2011 R50-01491 - R50-06196 M-Pulse 600 May 2001 - Jan. 2012 MP6-0011 - MP6-02453 M-Pulse 360 Jul.

At least I hope it does. Okay, here is my proposal!!! Let's try and figure this out together! If you know for sure the approximate date when your (or any) piece of Mesa Boogie gear was manufactured (born, created, etc), then post it up along with model name, model # (if known), and serial #! Then after we figure this out, we will now have a sort of database to which to base our serial #'s on!

The most sought after of all the Mark Series Boogies, if not all Boogies is the IIC+, Simul Class with all the options, with a hard wood cab being a plus for some (mostly collectors). These have now cracked the $4K barrier. In addition to the options already listed, people will argue which is the best sounding transformer for their needs. Some say (including Mike Bendinelli of Mesa Boogie) that the X100 transformer has the sweetest sound. Some say that the X105 transformer has the most punch and headroom for rock. The export transformer is said to be the best match for Class A operation. Some like the EVM best and others like the Celestion.

This method should remove all doubt as to whether the preamp circuit board is a IIC or a IIC+. The Mark IIC+ is currently the most coveted vintage Boogie, selling for twice its original price on average, because of its much praised 'Liquid Lead' mode, and also its warm, clean rhythm mode. Mark III [ ] The Mark III was launched by Mesa/Boogie in 1985. It introduced a third channel, a 'crunch' rhythm sound right in between the rhythm and lead channels. This amp has a dual footswitch system: one footswitch alternates between the current rhythm mode and the lead mode, and the other selects either the clean rhythm mode or the crunch rhythm mode.

2012 - Current E50-08079 - Current Mini Rectifier 25 Sep. 2011 - Current MR-00011 - Current Bass Prodigy Sep.

Mesa/Boogie only made about 1,400 Mark IIC amps before moving to the Mark IIC+. Another cosmetic way of distinguishing a IIC from a IIC+ is the front panel. A IIC has the traditional 'Gain Boost' pull switch integrated into the master volume, while a IIC+ replaced the switch with a Pull Deep bass booster. Some Coliseum series IIC+s retained the surplus 'Gain Boost' faceplates, though. IIC+s upgraded from earlier IICs also retain their original Gain Boost faceplates. However, there are some very early 'transitional' C+s (in the 133xx range) with gain boost on the panel, but it works the same as the pull Deep on the later versions.

A second important improvement was in developing an extra gain stage for the guitar input. Smith added an extra tube gain stage to the preamp, with three variable gain controls at different points in the circuit (this is now called a 'cascaded' design), creating the first high-gain amplifier. He set about designing a guitar amplifier around the new principle, and in 1972 the was released.

Red Stripe (1987) [ ] The third revision was the 'Red Stripe' Mark III which featured a red marker stripe above the power cord. The amplifier had increased gain over the purple stripe, and lead mode circuitry almost identical to the IIC+. Blue Stripe (1988 – mid 89) [ ] The fourth revision was the 'Blue Stripe' Mark III which featured a blue marker stripe above the power cord. The amplifier was voiced so brightly, it is considered to be the most aggressive Mark Series Boogie ever introduced. The power amp was also altered to mirror that of the IIC+. Green Stripe (1989) [ ] The final revision was the 'Green Stripe' Mark III, which was only available in a Simul-Class format. It was identical to the Blue Stripe, except for the wiring of the Class A power amp tubes, which were switched to Pentode operation instead of Triode for a 10w RMS increase over previous Simul-Class amplifiers (15w/75w) making 25w/85w.

Each channel also has three modes, which control several of the amplifier's 49 relays to mirror the circuit being modelled. The Mark V introduced a channel-assignable graphic EQ. Older Boogies were equipped with graphic equalizers, but these did not allow the same flexibility. Each channel has a toggle switch able to select between EQ active, off, or footswitched.

Some like the EVM best and others like the Celestion. Some have installed the Altec 417-8H from earlier Mark amps in and prefer it. They are all very nice to play through and the way the sustain decays makes you want to hold onto notes longer and makes you play differently. Celine dion music downloads. I don't ever seem to be able to play through mine without playing a few Santana passages.

The experts over at TGP looked over the photos too, and from that, the conclusion is that this is a 1984 MkIIC amp, hand built by Mike Benadelli at Mesa. Mike still works there apparently, and still does work on the MkII amps that are sent back there for refurbishing etc. I had always loved these amps ever since seeing that ad in Guitar Player magazine back in the late 70's, early 80's of Carlos Santana rocking out next to a wicker grille MkI on his Ibanez (or was it Yamaha?) guitar. When I was gigging back then though, I could never afford one so used to beg, borrow and steal amps for gigs. Finally, about 5 years ago, I saw this one come up for sale on eBay here in Aus.